The Curious Incident of the Dog in The Night-Time
An incredible rollercoaster of a tale”
The Guardian, on the novel
This Century’s Most Popular Murder Mystery
The internationally celebrated novel that captivated 10 million readers is coming in a brand-new staging more thrilling than ever.
Chris Boone is gifted with a brilliant mind for numbers but unsettled by the unpredictability of people and everyday life. When a neighbour’s dog is discovered killed, she finds herself under suspicion. Determined to prove her innocence, Chris becomes both detective and suspect, drawn into a mystery that grows darker and more complex with every clue she uncovers.
What begins as the search for a culprit soon reveals secrets closer to home, forcing her to confront truths that will test her courage, her family, and her understanding of trust, independence, and the wider world.
Starring Joe McFadden (The Shawshank Redemption – UK Tour; 2:22 A Ghost Story – Gielgud Theatre; Strictly Come Dancing winner 2017) and EastEnders favourite Charlie Brooks (Chitty Chitty Bang Bang – UK Tour; Ocean at the End of the Lane – National Theatre) as Chris’ parents – Ed and Judy.
Inventive, gripping, and moving, The Curious Incident of the Dog in the Night-Time combines the intrigue of a whodunnit with a powerful coming-of-age story in an unforgettable theatrical event.
Venue

Presented by
Birmingham Rep and Melting Pot
Based on the novel by
Mark Haddon
Adapted by
Simon Stephens
Directed by
Ned Bennett
Set & Costume Design by
Eleanor Bull
Price
Special Offers
Aged 16 to 25 Discounted tickets are available for this production for registered 16-25 members for performances on Tue 8 & Wed 9 Sep. T&Cs apply – Find Out More
Teens Go Free: Receive one complimentary young persons ticket (13-19 years) when you book one standard ticket for the performance on Tue 8 Sep.
To apply, select a full price ticket and free teen ticket once you have selected your seats. T&Cs apply – Find Out More
Multi-Buy: Save 10% when you book 3 or more productions in one transaction.
Max 2 discounted tickets per customer, and must be booked for three different productions. Some productions excluded. T&Cs apply – Find Out More
Rep Friends
- Bronze Friends: Save 10% per production, or 20% when booking 3 or more productions in the same transaction, with no transaction fees.
- Gold/Silver Friends & Rep Patrons: Save 15% per production, or 25% when booking 3 or more productions in the same transaction, with no transaction fees.
Max 4 discounted tickets per friend. Multi-buy must be booked for three different productions. Some productions excluded T&Cs apply – Find Out More
Access Performances
Audio Described: Sat 19 Sep 2.30pm (described by Carolyn Smith)
A Free Touch Tour is available to book at 1pm before the Audio Described performance.
BSL Interpreted: Sat 19 Sep 2.30pm (interpreted by Harjit Jagdev)
Captioned: Fri 18 Sep 2.30pm & 7.30pm (captioned by Cara Lawless)
Running Time
Approximately 2 hours and 20 minutes including an interval
Age Guidance
13+
Please note, no under 5s will be admitted into the auditorium.
Content Advice
The story contains sensitive content including ableism, domestic violence, discussion of death, grief, bereavement and suicide. The production will contain strong language alongside depictions of vomiting, violence and incontinence. There will also be references to autism, stimming, emotional distress and overstimulation.
There will be some use of flashing lights, loud sound effects and heightened sensory moments.
Rehearsal Photography
Alex Keenan (Chris Boone) & Imi Price (Chris Boone)
Joe McFadden (Ed) & Alex Keenan (Chris Boone)
Imi Price (Chris Boone) & Charlie Brooks (Judy)
Cast of Curious Incident
Carla Garratt
Tom Clegg
Bridgette Amofah
Charlie Brooks (Judy), Anastasia Osei-Kuffour (Associate Director), Alex Keenan and Imi Price (Chris Boone)
Photography by danny_with_a_camera
Cast
Charlie Brooks
Theatre credits include: The Hidden Dangers of Camping (Theatre Royal Windsor); Chitty Chitty Bang Bang (UK Tour); The Ocean at the End Of The Lane (National Theatre, West End); All In A Row (Southwark Playhouse); Monogamy (Park Theatre); How the Other Half Loves (UK Tour); A Streetcar Named Desire (Curve Theatre, Leicester); Beautiful Thing (Arts Theatre); Contact.com (Park Theatre); Our Country’s Good (Liverpool Playhouse) and Dangerous Corner (Theatre Royal Windsor).
TV and Film credits include: The Hack, Heartbeat, The Golden Hour, London’s Burning, The Bill (ITV); Lie With Me, Suspects (Channel 5); EastEnders, Moving On, The Dumping Ground, Wired, Love Soup, Robin Hood, Casualty, Bleak House, Angel of Death, Jonathan Creek, Turning Points, Out of Tune, The Demon Headmaster (BBC); The Secret Santa Project; Take 3 Girls and Pudding Lane.
Joe McFadden
Theatre credits include: The Shawshank Redemption (UK Tour), 2:22 A Ghost Story (Gielgud Theatre), The Mirror Crack’d (UK Tour), Rocky Horror Show (UK Tour), Treason (London Palladium and Festival Theatre, Edinburgh), Priscilla-Queen of the Desert (UK Tour), The House on Cold Hill (UK Tour), Rent (Shaftesbury Theatre), Rainbow Kiss (The Royal Court) Torch Song Trilogy (Menier Chocolate Factory) How to Succeed in Business Without Really Trying (Chichester Festival Theatre), She Loves Me (Chichester Festival Theatre) and The Missing (National Theatre Scotland).
TV and Film credits include: Holby City; Heartbeat; Casualty; The Crow Road; Sex Chips and Rock n’ Roll; Sparkhouse; Judge John Deed; The Law; High Road; Taggart; Faces and The Trouble With Men And Women.
Alex Keenan
Training: LAMDA and Dance School of Scotland.
Alex is a London born, Glasgow bred actor who recently graduated from LAMDA. The Curious Incident of the Dog in the Night-Time is her professional debut. She would like to thank her family, friends & tutors for all their support & guidance over the years.
Alex Murdoch
Theatre credits include: Hook in Peter Pan, Dance to the Bone (Sherman Theatre); Curtain Up (Theatr Clwyd); Life of Galileo (Young Vic); Sylvia (English Theatre Frankfurt); Around the World in 80 Days, Snow White, Tales from the Edge of Town (NIE); Nobody (The Other Room); We know not what we may be (Metis, Barbican); Lifegame, Permission Improbable, Animo (Improbable Theatre); Everything By My Side (LIFT); Pub Rock, Made Up, Meat and Two Veg (Cartoon de Salvo); Ghost Nets, Roger Salmon and The Wooden Frock (Kneehigh).
TV credits include: The Sixth Commandment, Casualty, Doctors, EastEnders, A Very English Scandal (BBC); Until I Kill You, Emmerdale (ITV); Extraordinary (Disney+) and Aliennation (Chris&Henry / Caryn Mandabach).
Other credits include: Alex ran cult indie theatre company Cartoon de Salvo for 20 years touring nationally and internationally. She’s improvised with Comedy Store Players, Improbable Theatre and been a resident artist at Theatr Clwyd and the Royal National Theatre Studio. Her plays have been commissioned by National Theatre Wales and The Royal Shakespeare Company.
Bridgette Amofah
Theatre credits include: Blithe Spirit (Salisbury Playhouse); Lovestuck (Stratford East); A Streetcar Named Desire (Sheffield Crucible); COWBOIS ( RSC/Royal Court); Faustus: That Damned Woman (Chester Storyhouse); A Monster Calls (Bristol Old Vic/Kennedy Centre) and A Christmas Carol (The Old Vic).
TV & Film credits include: The Sandman (Netflix); Mission Impossible: Dead Reckoning (skydance media/paramount); Nosepicker (Sligo pictures) and Home (Sticker).
Awards include: Nominated for the Helen Hayes Award for Outstanding Performer in A Monster Calls at the Kennedy Centre, Washington.
Carla Garratt
Theatre credits include: Ariel in The Tempest (RSC First Encounters UK Tour); Cleo in Belongings (Polka Theatre/Gulbenkian Arts Centre/Brixton House); Zara in Playfight (Seven Dials Playhouse); Madame Delacroix in Secret Cinema Presents Bridgerton (Wembley Park); D in Bible John (The Forge); Baby Girl in A Womb of One’s Own (Pleasance Theatre/Greenwich Theatre); Jac, Gemma and Harri in FFS! – A Feminist Fable Series; Liz in Big Deal; Joanne in Baby Dolls and Mary in Tales of Terror (The Space Theatre).
Film credits include: Blitz; Bohemian Rhapsody and House of Bricks.
Imi Price
Training: Urdang Academy.
Credits whilst training: Erma Latour in Anything Goes and Miss Crowe in A Man of No Importance (Urdang.)
The Curious Incident of the Dog in the Night-Time marks Imi’s professional debut, and she is delighted to be sharing this iconic role. As an autistic performer, she is excited to bring authenticity to the role of Chris in this new production. Imi would like to thank her family, friends and agents at Bartlett-Walford Associates for their endless love and support!
Jerone Marsh Reid
Theatre credits include: The Hound of the Baskervilles (New Vic Theatre); Marvellous (@sohoplace / New Vic Theatre); Titus Andronicus (Royal Shakespeare Company / Hampstead Theatre); Charlie and Stan / The Strange Tale of Charlie Chaplin and Stan Laurel (Told by an Idiot/Great Theatre of China/Beijing Performing Arts Center/Cunard Queen Mary 2); The Snowy Day (Can’t Sit Still / Polka Theatre); Anya and the Potter (Greenhouse Theatre Project); A Midsummer Night’s Dream (Garsington Opera); Astley’s Amazing Adventure (New Vic Theatre); 4 Walls (Derby Theatre); Feel The Fear (Project Lockout/Camden Fringe / Fusion Festival); and Breathe The Beat (UK Tour).
Film credits include: 7 Deadly Idiots (Told by an Idiot).
Other credits include: Still Got Time (Zayn Malik ft. PARTYNEXTDOOR); Not Letting Go (Tinie Tempah ft. Jess Glynne); You Want Me (Tom Zanetti); Fam That’s Peak (Arnold Jorge and Stormzy) and London’s International Mime Festival (2020 and 2023).
Matthew Bulgo
Theatre credits include: Nye (National Theatre); Julius Caesar (RSC); The Cherry Orchard, Odyssey ‘84, Port Talbot Gotta Banksy, Maryland, Clytemnestra, A Christmas Carol, The Sleeping Beauties (Sherman Theatre); All My Sons, A Christmas Carol, Lord of the Flies (Theatr Clwyd); Praxis Makes Perfect, The Insatiable, Inflatable Candylion (National Theatre Wales); I’m With The Band, Horizontal Collaboration (Traverse); Under Milk Wood (Royal and Derngate); The Prince Hamlet (WhyNot Theatre, Toronto); Play, Silence (The Other Room); The City (Living Pictures); Blue/Orange (Canoe Theatre); Kenny Morgan, Sweeney Agonistes (Arcola); Feeding Time, The Play About The Baby (BAC); Breakfast Hearts, Choirplay (Theatre 503); Raw, Seen, Where Do We Go From Here? Back to the Light, Into The Unknown (Pentabus); A Child’s Christmas in Wales (Ligeti Quartet); A Midsummer Night’s Dream (Torch Theatre); Much Ado About Nothing, Dangerous Liaisons (Mappa Mundi); Adventures in the Skin Trade (Theatr Iolo) and Tender Napalm (Chapter Arts).
TV and Film credits include: Y Streic Fawr (Mojo Productions); War Gamers (Sky); Gwaith Cartref (Fiction Factory) and Treacle Town (BFI).
Radio credits include: The Madness of George III, The Medici (BBC Radio 4) and That Hideous Strength (BBC Radio 3).
Robert Penny
Training: East 15 Acting School and Circomedia Centre for Contemporary Circus & Physical Theatre.
Theatre credits include: Così fan tutte (Improbable/English National Opera); Macbeth (The Globe); Huddle (Unicorn); The Princess & The Pea (Unicorn/ Upswing/New Vic/NYC); The Smeds and the Smoos (West End/UK Tour); Tidy (Theatre Iolo/Polka Theatre co-production); Rock ‘n’ Roll Red Riding Hood (Liverpool Everyman); The Cat in the Hat (Curve Theatre/UK Tour) and Oh No, George! (Can’t Sit Still/UK Tour).
TV credits include: Casualty, Dr Who, Poldark (BBC) and The Undeclared War (Channel 4).
Other credits include: Handel’s Serse (Opera Holland Park) and The Queens Platinum Jubilee Parade (Buckingham Palace, London). Robert specialises in various physical performance skills including Acrobatics, Aerial, Music, Movement, Puppetry, Stage Combat and Gymnastics (former two-time British National tumbling champion).
Sera Mustafa
Training: LAMDA.
Theatre credits include: Dizzy (Theatre Centre/Sheffield); Crackers (Polka Theatre); The Leftovers, We Anchor in Hope, New Labour, Emilia, It’s True It’s True It’s True (LAMDA) and What Was Left (The Bridge Company).
TV and Film credits include: Babies (BBC); Joan (ITV) and The Return (Short Film – LAMDA).
Tom Clegg
Theatre credits include: Tom in The Complete Works of William Shakespeare Abridged (Vienna’s English Theatre); Oncle in SKRIK (Espace Mach Brussels); Orsino in Twelfth Night (Playground Theatre/Shakespeare en Avon – Fontainebleau); Rabbit in Buggy Baby (The Yard Theatre); Tom in Think of England, Jaz in Grey Scale (AIAWTC); Toby/Lord Riot in Posh (Nottingham Playhouse); Ensemble in Shakespeare in Love (Noel Coward Theatre, West End); Radge in A Marked Man (High Tide); The Elbe/ The Girl/Mother/Director in Outside on the Street (Arcola); Nick Drake in Solid Air (Theatre Royal Plymouth); Danny/Adam in DNA (Hull Truck/ UK National Tour).
TV and Film credits include: House of the Dragon (HBO/SKY Atlantic); Doctors, Casualty, The Outlaws (BBC); Discovery of Witches (SKY); Johnny the Busker in The Trip to Spain (SKY Atlantic); And Then There Were None (BBC); Toby Huggs in The Bystanders; Blake in Counterweight; Dope Head in The Chef and The Patient in Inmate Zero.
Other credits include: Tom has narrated numerous audiobooks and voiced video games.
Creative Team
Author
Mark Haddon
Mark Haddon
Adapted by
Simon Stephens
Simon Stephens
Simon Stephens is a celebrated playwright and screenwriter whose writing is distinguished by its emotional resonance, intelligence, and tenderness and his ability to realise the extraordinary in the most ordinary of lives. He is renowned for his outstanding stage adaptation of Mark Haddon’s novel The Curious Incident Of The Dog In The Night-Time. Directed by Simon’s long-term collaborator Marianne Elliott, the production and play won seven Olivier Awards in 2013 (including Best New Play) and five Tony Awards (including Best New Play) in 2015 and has since been produced in all major territories throughout the world.
His Olivier award-winning Vanya played at the Lucille Lortelle in 2025, starring Andrew Scott.
Other plays include: Cornelia Street, Morning Sun, Light Falls, Heisenberg, Song From Far Away; Birdland, Carmen Disruption, Blindsided, Morning, Three Kingdoms, Wastwater, Punk Rock, Marine Parade, Sea Wall, Harper Regan, Pornography, Motortown, On The Shore Of The Wide World, (Olivier Award For Best New Play, 2006), One Minute, Country Music, Christmas, Port, Herons, and Bluebird.
Simon has been an Associate at the Royal Court, London and a Resident Artist at the Lyric, Hammersmith. He has presented three series of the Royal Court Playwright’s Podcast and his book A Working Diary is published by Methuen. Simon is currently a Professor of Scriptwriting at Manchester Metropolitan University and an Associate Professor at the Danish National School of the Performing Arts, Copenhagen.
He has also written for radio and for the screen, including his screenplay for Dive (2010), and his adaptation of Astrid Lindgren’s Brothers Lionheart is in development with Thomas Vinterberg to direct for Mediares.
Director
Ned Bennett
Ned Bennett
Ned Bennett is a theatre director who trained at the Royal Court, the National Theatre and LAMDA. Whatsonstage have called him ‘one of the most exciting directors of his generation’. He won the UK Theatre Award for Best Director for both Pomona and Yen (2015) and for Best Play Revival for Equus (2019). He has directed work in the prison system and teaches in drama schools across the UK. Most recently he co-created The LeftBehinds with Ross Willis, a Sci-Fi Western about the orphans of the apocalypse for the National Theatre’s Secondary Schools Tour.
Theatre credits include: An Armed Robbery in a Petrol Station off the A38 (RWCMD); The LeftBehinds (National Theatre Schools Tour); The LeftOvers (LAMDA); Peter Pan (Gate Theatre); Dick Whittington (National Theatre); The Twits (Unicorn Theatre); Unprecedented (Headlong); 1st Luv (The Big House); Equus (Stratford East / UK Tour / Trafalgar Studios. WINNER: UK Theatre Award for Best Play Revival, OFFIE for Best Director); Victoria’s Knickers (National Youth Theatre / Soho Theatre); An Octoroon (Orange Tree / National Theatre); Baddies (Synergy Theatre); Buggy Baby (The Yard); Brixton Rock (The Big House); Yen (Royal Exchange / Royal Court. WINNER: UKT Award for Best Director, jointly with Pomona); Pomona (Royal Welsh College of Music & Drama / Orange Tree / National Theatre. WINNER: OFFIE for Best Director); Pigeons (Royal Court Schools Tour); Prime Time (Royal Court Schools Tour); Mercury Fur (Old Red Lion / Trafalgar Theatre); A Butcher of Distinction (King’s Head Theatre).
Designer
Eleanor Bull
Eleanor Bull
Eleanor is an award-winning Set and Costume Designer across Theatre, Dance, Opera, and Film. In 2017 Eleanor won the Linbury Prize for Stage Design for her work with Phoenix Dance Theatre and in 2020 was nominated for The Evening Standard Future Theatre Award. Following her contribution as ‘Costume Design Assistant and Concept Work’ on Yorgos Lanthimos’ film: Poor Things; Eleanor was honoured as part of the film’s Costume Team, winning both an Oscar and a BAFTA under Costume Designer Holly Waddington. Eleanor trained at Bristol Old Vic Theatre School, graduating with an MA in Theatre Design in 2017.
Design credits include: Amadigi Di Gaula (Buxton International Festival); Flyby (Costume Design, Southwark Playhouse: The Large); Die Mitte der Welt (Landestheater Linz, Austria); The Rape of Lucretia (UK Tour); A Single Man (Costume Design, Manchester Factory International/Royal Ballet & Opera); Poor Clare (The Orange Tree Theatre); Blond Eckbert (UK Tour); The Snowmaiden (UK Tour); Importance of being Earnest (Manchester Royal Exchange Theatre); Cerberus (Ben Duke/Rambert); That Face (The Orange Tree Theatre); Wired to the Moon (Ballet Cymru, UK Tour); Mushy: Lyrically Speaking (UK Tour); Glory (UK Tour); Stop and Search (Arcola Theatre); American Idiot (Mountview); Isaac Came Home from the Mountain (Theatre503); Windrush: Movement of the People (UK Tour, & BBC broadcast); Julius Caesar (Costume Design, Bristol Old Vic).
Lighting Designer
Laura Deward
Laura Deward
Composer & Sound Designer
Giles Thomas
Giles Thomas
Video Designer
Hayley Egan
Hayley Egan
Puppetry Designer
Matt Hutchinson
Matt Hutchinson
Casting Director
Abby Galvin CDG
Abby Galvin CDG
Production Manager
Tom Kingdon for Production Solutions Group
Tom Kingdon for Production Solutions Group
Movement Director
Jennifer Jackson
Jennifer Jackson
Fight Director
Maisie Carter for MC_Combat
Maisie Carter for MC_Combat
Maisie has worked as a fight director for the past five years. With a commitment to safety, storytelling and empowering actors she opened her own company, MC_Combat. It is dedicated to advocating for female fight performers and offering specialised training in stage and screen combat. Maisie hopes to continue pushing the boundaries and bringing stories to life through action.
Theatre Credits Include: The Land Of The Living And The Leftbehinds (National Theatre); Art (Repertory Philippines); Clueless (Trafalgar Theatre); Romeo And Juliet, Comedy Of Errors, The Crucible And The Tempest (Shakespeare’s Globe); Da Vinci Code (Salisbury Playhouse); Backstroke (Donmar), Reykjavik, The Divine Mrs S, Animal Kingdom, Malindadzimu (Hampstead Theatre); The Clinic (Almeida); Favour, Fair Play (Bush Theatre); Ministry Of Lesbian Affairs, Lava (Soho Theatre); The Hunger Games (Troubadour); Kiss Me Kate (Barbican); An Officer And A Gentleman, Bugsy Malone (UK Tours); The Drifter’s Girl (Garrick Theatre), Les Misérables (Sondheim Theatre)
Film & TV Credits Include: Gavin & Stacey: The Finale (Tidy/BBc); The Wasp (XYZ Films), The Forge (Mind Engagement Productions)
Associate Director
Anastasia Osei-Kuffour
Anastasia Osei-Kuffour
Associate Designer
Oliva Walters
Oliva Walters
Props Supervisor
props by eve
props by eve
Costume Supervisor
Isobel Pellow
Isobel Pellow
Vocal Coach
Aundrea Fudge
Aundrea Fudge
The Curious Incident of the Dog in The Night-Time
All tickets £26
School discounts are available for this performance. Please email schoolbookings@birmingham-rep.co.uk for further information
Limited tickets
All tickets £26
School discounts are available for this performance. Please email schoolbookings@birmingham-rep.co.uk for further information.