The Ugly Duckling
Never judge a bird by its feathers…
This festive season, one brave little duckling embarks on an extraordinary mission to find a place where they truly belong.
Farm life has a very strict pecking order, and one duckling is too big, too dull, and too ugly to be accepted by the other animals. When the name-calling reaches the final straw, The Ugly Duckling marches out into the big wide world to see if the grass really is greener on the other side.
Battling through the seasons and facing their biggest adventure yet, our determined hero learns that being different is something to celebrate, and that the greatest journeys are the ones that lead us to ourselves.
This delightful adaptation by Katherine Chandler reimagines Hans Christian Andersen’s charming fairy tale and offers the perfect introduction to theatre for our younger audiences.
Caroline Wilkes, returns to direct our Door Christmas show following the huge success of Jack And The Magic Beanstalk and Little Red Riding Hood.
One of the best pre-school age shows I have ever seen”
★★★★★ Behind the Arras on Jack and the Magic Beanstalk
Lively and engaging”
★★★★ Culture Bab on Little Red Riding Hood
*Free pre-show workshop on selected performances:
Children are invited to take part in an immersive, 30-minute storytelling activity inspired by The Ugly Duckling before watching the story come to life on stage.
Find Out More
Venue

Presented by
Birmingham Rep
Based on the book by
Hans Christian Andersen
Adapted by
Katherine Chandler
Directed by
Caroline Wilkes
Price
Access
Audio Described: Sun 10 Jan 3pm (described by Carolyn Smith)
A Free Touch Tour is available to book at 1.30pm before the Audio Described performance.
BSL Interpreted: Sat 2 Jan 3pm (interpreted by Harjit Jagdev)
Captioned: Thu 17 Dec 11am & 1.45pm (captioned by Cara Lawless)
Relaxed: Sat 9 Jan 10am
Age Guidance
Suitable for ages 3 – 6 and their families.
Babes in arms
Babes In Arms tickets are available for infants under 2 years old and are charged at a nominal rate of £2. Children over 2 years old require a paid ticket.
To purchase a babe in arms ticket, please select the ‘Babe in Arms’ button at the bottom of the seating plan to add this to your booking’.
Please note Babes in arms tickets are limited so please ensure this is added on at the time of your booking.
Cast
Elliot Rosa-Craig
Training / Education: Mountview
Theatre Credits include: A Christmas Carol (New Forest Open Air Theatre), That Boy Has No Shoes (Camden People’s Theatre), The Wind in the Willows (The Old Joint Stock)
Credits whilst training include: The Three Lives of Lucie Cabrol, Red Riding Hood the Rock ‘n’ Roll Panto, Carrie (Mountview)
Reisz ‘Odd Priest’ Amos
Reisz ‘Odd Priest’ Amos is a Birmingham-born multidisciplinary artist, composer, writer, theatre director, actor-musician, singer-songwriter, producer and vocal architect.
Previously at The Rep: Composer for Little Red Riding Hood, Jack and the Magic Beanstalk and Everybody Wants To Be Ronaldo
Other theatre credits include: Co-director, musical director and performer in Community Service (UK tour); composer for Twine (The Yard Theatre); vocal arranger and choir leader for Romeo and Juliet (Belgrade Theatre, Bristol Old Vic, Hackney Empire); sound designer for LAD and TRANS IT (Curve, Derby Theatre).
Other professional credits include: Former Artistic Associate, Birmingham Opera Company; creator and performer of Church in the Wild (Elgar Concert Hall). He founded Twin City, connecting Birmingham and Johannesburg through music, theatre and cultural exchange. His practice explores dramaturgy through music, using rhythm, harmony and voice to reveal character, shape narrative and deepen the audience’s emotional experience.
Maya Thompson
Training/Education: Royal Central School of Speech and Drama.
Theatre credits include: Anna Hibiscuses Song (Sheffield Crucible), Hansel and Gretel (Nottingham Playhouse), Ugly Duckling (Nottingham Playhouse).
Alfred Bartlett
Training: National Youth Theatre, Birmingham Rep Studio 8 and Roundhouse Centre 59.
Theatre credits include: Macbeth, The Red Shoes and Antigone (Birmingham Rep) and Locks, Keys & Coasts (Albany Theatre).
Film credits include: A Close Cut (British Film Institute) and Replay (BOA Stage & Screen).
Awards include: British Young Writers Poetry Award winner.
Alfred Bartlett is a rising Actor and playwright from Birmingham who made his Theatre debut playing Macbeth in the Birmingham Young Rep’s 2024 production. He has since graduated from the Frantic Assembly physical theatre course and trained with The Rep’s Studio 8 development group.In October, Alfred began his training with the Roundhouse Theatre’s Centre 59 acting company spearheaded by Daniel Kaluuya.
Creative Team
Adapted by
Katherine Chandler
Katherine Chandler
Katherine Chandler is an award-winning Welsh playwright and screenwriter. She has twice been a finalist for the Susan Smith Blackburn Prize, for Before it Rains and Parallel Lines, and has won the Theatre Critics of Wales Award, Writers’ Guild Playwright Award, Creative Wales Award and the Judges’ Award at the Bruntwood Prize for Playwriting for Bird, which was co-produced by Manchester Royal Exchange and Sherman Theatre.
Her plays include Lose Yourself, Peggy’s Song, produced as part of the NHS’s 70th anniversary celebrations, and her adaptation of The Silly Kings, which won Best Show for Young People at the Theatre Critics of Wales Awards.
Katherine was the inaugural winner of the BBC and National Theatre Wales Drama Award and has worked with companies including Clean Break, National Theatre Wales, Theatr Clwyd, Sherman Theatre and Bristol Old Vic.
Her radio drama The Invitation won Best Original Single Drama at the 2025 BBC Audio Drama Awards. She was also a creator and writer on King’s Pawn, the BBC Radio 4 comedy drama set in a Cardiff pawnbroker’s, which has been commissioned for a second series.
Director
Caroline Wilkes
Caroline Wilkes
Training / Education: First Class Hon in Dramatic Arts, Bretton Hall; Master of Philosophy, Birmingham University.
Previously at The Rep: Jack and the Magical Beanstalk (Director); Little Red Riding Hood (Director); Starting Out (Director); For the Past 30 Years (Co-director); Of Mice and Men (Associate Director); The Mother (Assistant Director)
Theatre credits include: A Leap in the Dark (Director, New Vic Theatre); Marvellous (Associate Director, New Vic and @SohoPlace); The King Who Banned the Dark (Dramaturg, Unicorn Theatre); Secret Sides Of Us (Director, Nottingham University); Captain Amazing (Director, New Vic Theatre); Salvaged (Writer and Director, Bedlam); Darkness Falls (Director, Edinburgh Fringe and national tour); The Masque of the Red Death (Director, University of Leeds).
Awards include: JMK Regional Director Award, Leverhulme Arts Scholar
Professional roles include: Associate Director, New Vic Theatre; Lead Artist Theatre Centre; Lead Artist Women and Theatre; RTYDS Connect Artist, Associate Artist Birmingham Rep, Graeae Beyond Artist
Website: www.carolinewilkes.co.uk
Set and Costume Designer
Kate Bunce
Kate Bunce
Training / Education: BA (Hons) Theatre Design, MA Scenography. (Birmingham Institute of Art & Design. BCU)
Previously at The Rep: Caribbean Kitchen and Transmissions.
Theatre credits include: (1000) Millenia and Keyworkers Cycle (Almeida); Land of the Free (Simple8/Southwark Playhouse); Moby Dick, Starseeker, Second Star to the Right, Magical Mishaps and Knitwits (Royal & Derngate); I Believe in Unicorns (West End); Why the Whales came and The Mystery of…Show (DMS productions); The Glee Club and Wizard of Oz (New Vic); Underneath the Magical Moon (U.S tour) Snow Queen, Wild, The Snow Child and Yellow is the colour of Sunshine (Tutti Frutti/York Theatre Royal); Wind in the Willows (Wardrobe Ensemble); The Night before Christmas, Happy Harrys Café (Polka Theatre); Tabby Mctat (ABA. U.K tour/Hong Kong); Supernormal Extra Natural (Requardt & Rosenburg/The Place); Lost Origin (Costume Design. Factory 42/Almeida/Sky); The Borrowers and Pinocchio (MAC); Silent Engine and Precious Bane (Pentabus); The Smartest Giant in Town (Fierylight/Little Angel Theatre/St Martins Theatre); A Squash and a Squeeze (Lowry/Little Angel Theatre/Leicester Square Theatre);
Lighting Designer
Stacey O'Shea
Stacey O'Shea
Lighting Designer credits Include: An Oak Tree (The Other Palace); The Gods The Gods The Gods (Underbelly Cavendish Square, India Tour 2025 & 2026); The War Inside (The Albany); Maria! Daughter of a Mad Monk (Central School of Speech and Drama); Our Streets (Tara Theatre); Hope (London and UK Tour)
Associate Lighting Designer credits include: Thelma and Louise the Musical (Young Vic); Oedipus (Onassis Stegi, Athens); The Kings Speech (Barn Theatre); Diamonds and Dust (London’s West End); What Do You See (The Pappy Show, Shoreditch Town Hall & Jersey Tour); Home I’m Darling (Theatre Royal, Bury St Edmunds); Oliver! (Storyhouse Chester)
Relighter credits include: Prima Facie (UK & Ireland Tour), Inside No.9 (UK Tour), Chicago (UK & Ireland Tour), Hey Duggee the Live Theatre Show (UK & Ireland Tour)
Composer
Reisz ‘Odd Priest’ Amos
Reisz ‘Odd Priest’ Amos
Reisz ‘Odd Priest’ Amos is a Birmingham-born multidisciplinary artist, composer, writer, theatre director, actor-musician, singer-songwriter, producer and vocal architect.
Previously at The Rep: Composer for Little Red Riding Hood, Jack and the Magic Beanstalk and Everybody Wants To Be Ronaldo
Other theatre credits include: Co-director, musical director and performer in Community Service (UK tour); composer for Twine (The Yard Theatre); vocal arranger and choir leader for Romeo and Juliet (Belgrade Theatre, Bristol Old Vic, Hackney Empire); sound designer for LAD and TRANS IT (Curve, Derby Theatre).
Other professional credits include: Former Artistic Associate, Birmingham Opera Company; creator and performer of Church in the Wild (Elgar Concert Hall). He founded Twin City, connecting Birmingham and Johannesburg through music, theatre and cultural exchange. His practice explores dramaturgy through music, using rhythm, harmony and voice to reveal character, shape narrative and deepen the audience’s emotional experience.
Sound Designer
Jonathan Pearce
Jonathan Pearce
Jonathan is the Head of Sound & Video at Birmingham Rep, and has designed and production engineered sound & video for theatre, music, and events across theatres, concert halls, festivals, and site specific spaces.
Training / Education: BSc(Hons) in Sound, Light, and Live Event Technology, University of Derby.
Previously at The Rep: Jack and the Beanstalk, Little Red Riding Hood and Covid Variations
Further Theatre credits include: various productions for Royal Birmingham Conservatoire
Production Manager
Nick May
Nick May
Costume Supervisor