Perfect Show for Rachel
Funny, heart warming, triumphant. The perfect show.
Why can’t more theatre be like this? Open, relaxed, fun and full of love”
★★★★★ – The Guardian
Meet the O’Mahony sisters. Flo is an award winning theatre director. Rachel is an enigmatic, learning-disabled 35 year-old who loves Kylie and seeing people fall over. So they decided to create Rachel’s perfect show: fast paced, funny, and different every night.
“a joyous celebration of theatre without the rules”
★★★★ – The Stage
Expect physical comedy, live music, home movies, dancing and a lot of Rachel soaking her sister with a watergun in this critically acclaimed, award winning show. As Rachel creates the show on her own terms every night, the cast have to be ready for anything – including fart jokes, becoming singing biscuits, bar room brawls and being fired on the spot. This is “an absolute joy to watch” (A Youngish Perspective).
Bright, funny, musical, silly… try not beaming’
★★★★ – The Times
Perfect Show for Rachel was developed with Rachel, to create a show on her own terms. It explores who defines artistic taste, and questions who that currently excludes. Created by Zoo Co Theatre, a multi award-winning company creating theatre that loudly champions access. Zoo Co won the Oxford Samuel Beckett Theatre Trust Award in 2022. Created in collaboration with Improbable, a pioneering company of improvisers and theatre-makers who have been making ground-breaking work for the past 25 years. Proud winners of Producer of the Year at The Stage Awards 2023.
Further praise for The Perfect Show For Rachel
“A theatrical experience like no other”
★★★★★ – Broadway World
‘An absolute joy to watch’
★★★★★ – A Young-ish Perspective
“Glows with a kind of truthfulness most productions only gesture towards”
★★★★ – Live Art Live
“A beautiful evening of unrestrained creative exploration and recreation.”
★★★★★ – North West End UK
Venue

Presented by
Zoo Co Theatre and Improbable
Price
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Access
All performances are Relaxed. Please note, full stage lighting and normal sound levels – but no loud or sudden noises – will be used. Sometimes, there is audience interaction (but you’ll never be asked to interact if you don’t actively want to).
All performances include a mixture of creative captioning, live captioning and integrated BSL, making it accessible for deaf and hard of hearing audiences.
Due to the improvised nature of some parts of the show, some scenes may just have creative captions or just integrated BSL. Cast members use radio mics, so their voices are amplified.
Audio Described: Sat 11 April at 2.45pm (described by Ess Grange)
Running Time
1 hour 15 minutes without an interval
Age Guidance
Parental guidance is advised: the performance contains strong swear words in tracked song lyrics, in captions, and occasionally in speech.
Content Advice
May contain flashing lights and strong language.
Production Photography
Production photography by Ikin Yum
Production photography by Ikin Yum
Production photography by Ikin Yum
Production photography by Ikin Yum
Production photography by Ikin Yum
Cast
Rachel O'Mahony
Rachel is a learning disabled director who lives in a care home. Her work was selected for the Oxford Samuel Beckett Theatre award and her directorial debut took the Barbican by storm playing to sold-out audiences with glowing reviews including a 5* review in The Guardian – but Rachel doesn’t give a shit about any of that. Her work explores the intersection between comedy and violence, slapstick and deadpan, Kylie Minogue, and asking artists to ‘Do Some Better’. This is her perfect show.
Flo O'Mahony
Recent work: Perfect Show For Rachel (Barbican, Brighton Festival, Denmark & UK tour, Winner: OFFIE, Oxford Samuel Beckett Theatre Trust Award); Rumple (BYMT); Deaf Republic (Royal Court, Creative Access); The View (Seven Dials); Night Shift (London Borough of Culture) and Follow the Signs (Associate Director, Soho).
Flo is in the Pilot Cohort for OperaLabs Directors Course under Elaine Kidd & Phil Venables at Royal Opera House, and guest facilitated on the Improbable Summer School.
Wendy O'Mahony
Wendy is an artist, art tutor, muralist, improviser, face painter, storyteller and writer who regularly performs as half of an improv duo called WOOSH!. She has also developed a humourous improvised storytelling show called StorySkirts which looks gently at gender expectations. Her most important job is being the mother of Rachel and Flo.
Fleur Angevine Rooth
Fleur is a founding member of Zoo Co, performing for the last decade in their collaboratively devised shows around the UK and abroad to critical acclaim. She is also a freelance stage and screen actor (recently; Follow The Signs @ Soho Theatre, Sucker – Lumo TV short film) where she enjoys furthering her BSL skills. Fleur is a passionate advocate for accessibility and when not performing is Zoo’s Creative Access Director and Neurodiversity Awareness Training facilitator (RADA Business, Barbican, Old Vic).
Lee Simpson
Lee is a founder member of Improbable and a Comedy Store Player. He’s also been a croupier, cinema projectionist, breakfast show DJ, written plays, appeared in sit-coms and some films and been on some Radio 4 panel shows. He feels this lack of direction is the essence of his work. His real name is Len.
Chris Ash
Chris is a composer, sound designer and workshop leader. He studied at Goldsmiths, the Guildhall School and Oxford. Chris is a founder member and Musical Director for The Showstoppers.
As composer: The Borrowers (Midlands Arts Centre); Three Witches (Belgrade Theatre)
As reorchestrator: Mozart’s Die Zauberflöte (The Night Queen/Belgrade Theatre)
As Musical Director: Tess of the D’Urbervilles (New Wimbledon Studio)
As sound designer: Not a Game for Boys (King’s Head); Kissing Sid James (59e59); Terror Season (Southwark Playhouse.)
Simeon Campbell
Simeon is known for his calming influence and his direct approach to teaching. His understanding of musicality and ability to break down his style of hip hop/lyrical hip-hop for all levels, and strives to ensure that every student takes something from each class and workshop. His latest work SADBOI was developed through BirdGangs unique HATCHWORK residency scheme. Other choreographic credits include Perfect show for Rachel (Zoo Co) at the Barbican, Aarhus theatre and Brighton Dome & Breaking Convention (BirdGang) at Sadlers Wells.
Folarin Akinmade
Folarin is a British-Nigerian, actor, singer, and writer with a passion for speaking about himself in the first person. His credits include The Lord of The Rings: A Musical Tale (The Watermill Theatre); Road Show (Gatehouse theatre); Cinderella: A Rock & Roll Panto (Liverpool Everyman Theatre) and Perfect Show For Rachel (Barbican Centre).
Sara Dawood
Sara Dawood is a British-Iraqi actor and theatre maker from West London. Sara is a founding member of the Bush Theatre Young Company, a current member of the Bush Theatre Writer’s Group and an alum of Soho Theatre’s Writers Lab. Her credits include Perfect Show for Rachel (Barbican), As We Face the Sun (Bush Theatre) and Flying Children Day (Small Truth Theatre).
Previous praise for Sara’s work:
- “Uses comedy as weapon” – Lyn Gardner
- Sara Dawood is the epitome of lost innocence” – The Guardian
Becky Barry
Becky Barry is a theatre maker and BSL/English interpreter (Becky Allen RSLI). She is honoured to be a part of the Perfect Show for Rachel team. Becky’s work is multi-disciplinary and includes regular collaborations with Derby Theatre, Shakespeare’s Globe, Sheffield Theatres and The RSC. Becky is a passionate advocate for access provision, representation and liberation – onstage and off.
Stephen Collins
Stephen Collins is returning to Perfect Show For Rachel for its third mischievous tour.
His most recent work includes: Reunion (BBC); Dune Part 1 (WB) & Cleaned Out (Lumo TV). He provided BSL/Access consultancy on Olivier nominated show Animal Farm with Leeds Playhouse, where he will be performing in A Christmas Carol this winter.
Austin Yang
Austin Yang is a Taiwanese actor and technician. After completing his MA in Collaborative Theatre Making at Rose Bruford College, he has enjoyed working onstage and off in a variety of roles, including captioning, composing, and lighting/sound design. He is incredibly fond of ensemble singing and making a good stew.
Past Projects Include: Drive Your Plow Over The Bones Of The Dead (Complicité); Transit (Half Pace Theatre); Perfect Show For Rachel (ZooCo); Riders To The Sea (OperaUpClose)
Alexandra James
Theatre for Zoo Co: Nightshift, Rise of the Refrain & Messy.
Other theatre includes: Sweet Dreams (Factory International), Stan (Art with Heart), The Night Before Christmas (Leeds Playhouse), The Winter’s Tale (Mawa Theatre), The Jungle Book (Derby Theatre).
Television: Aisha in Sex Education Series 4 (Netflix), The Break S5 (BBC 3).
Short Film: The Letter.
Radio: Three Sisters Rewired (BBC Radio 4).
Audio Describer (Saturday Matinée)
Ess Grange
Ess Grange
Ess Grange is a faciliator, producer, and audio describer, who has worked with Improbable since 2013. Ess facilitated and produced several of Improbable’s Devoted and Disgruntled conferences using Open Space technology, and produced and participated in associate artist Angela Clerkin’s Through the Door improvisation workshops. After training as an Audio Describer with Vocaleyes in 2019, Ess worked on Improbable’s completely improvised show An Improbable Musical, developing techniques for describing improvised performances that creatively combine impro skills with Audio Description. Ess has also long been part of the Drag King & Queer cabaret scene, Audio Describing in these improvised contexts. Ess has been audio describing Perfect Show for Rachel since the first run in 2022, and it’s one of Ess’ favourite shows ever.