Justin is Artistic Director of Chichester Festival Theatre, where he has directed Redlands, The Caretaker and The Three Billy Goats Gruff (also at The Unicorn).

Previously, he was Artistic Director of the Unicorn Theatre where he directed Pinocchio, The Canterville Ghost, Aesop’s Fables, Beowulf and My Mother Medea. He also wrote and directed Marvin’s Binoculars, Story Seekers and Anansi the Spider. Other directing credits include The Box of Delights, The Taming of the Shrew, Snow in Midsummer and The Jew of Malta for the RSC; Macbeth and The Winter’s Tale, both adapted by him for young audiences, for the National Theatre and now part of the National Theatre Collection; and Guardians of the Galaxy (Secret Cinema & Marvel).

He wrote and presented the two BBC Live Lessons on Shakespeare for the RSC. He is a trustee of Invisible Flock and the Peggy Ramsay Foundation.

Robin is a theatre director, writer and the Associate Director at the Unicorn Theatre.

Directing credits include: Twelfth Night (Shakespeare’s Globe); Mother Goose (Windsor Theatre); Princess Essex (Shakespeare’s Globe); Twelfth Night, The Merchant of Venice, Sapho and Phao (The RSC); Blue/Orange, Red Velvet (Richard Burton Company, RWCMD); Alice in Wonderland, Peter Pan, The Adventures of Pinocchio, Arabian Nights, The Wind in the Willows, Treasure Island (Watermill Theatre); The Santa Trap, Here Be Monsters (UK Tour); Walking the Chains (Show of Strength, Bristol); The Twits, Charlotte’s Web, A Christmas Carol (Dukes Theatre, Lancaster); The Entertainer, Oleanna, Othello, Kiss of the Spiderwoman, Duck Variations (Nuffield Theatre, Southampton).

Writing and dramaturgy credits include: The Winter’s Tale (Tobacco Theatre Bristol); Romeo and Juliet, 37Plays project (The RSC); Hibiscus Hotel, Dat Bahamian Ting (Yellowtale Theatre, The Bahamas); Around the World in Eighty Days (Watermill Theatre); Telling the Truth: How to Make Verbatim Theatre (Nick Hern Books).

Sadeysa Greenaway-Bailey is a Production Designer, Storyteller and Artist. She has a background in scenic and carnival arts and trained at Rose Bruford College.

Theatre credits include: Tambo and Bones (Theatre Royal Stratford East and UK Tour); Death of England: Closing Time, Death of England : Delroy, and Death of England (National Theatre & Soho Place); The Odyssey: Episode 5 – The Underworld, If I Were Older (National Theatre) Anansi the Spider (Unicorn and Regents Park Open Air Theatre); Suckerpunch Boom Suite (Barbican); #Black is… and When this is Over which she also co-created (Company Three); NW Trilogy, Sugar and The Orphans of the Grange (Mapping Brent); Gargantua (Kiln); Open Doors (Harkers Studio); Bite your Tongue (Hackney Showroom); I Call My Brothers (The Gate); and The Legend of Hamba (Greenwich + Docklands International Festival).

Film credits include: Death of England : Closing Time, Death of England : Delroy, and Death of England (NT live); Anansi the Spider Respun (Unicorn Theatre and Guardian) and Twenty Twenty (Young Vic).

As an artist, co-creator of The Unforgotten, an outdoor and digital installation (Young Vic).

Awards include: Set Design Recognition from the Black British Theatre Awards and the UK Theatre Best Design Award 2023 for Tambo and Bones.

Training: Royal Central School of Speech and Drama & Middlesex University.

Theatre credits include: Till The Stars Come Down (West End/National Theatre); …blackbird hour (Bush Theatre & UK tour); Pinocchio (Watermill Theatre); Moulin Rouge (Piccadilly Theatre); The Comeuppance (Almeida Theatre); The Cord (Bush Theatre); MJ The Musical (Prince Edward Theatre); Macbeth, Romeo and Juliet, Burnt At The Stake, The Tempest, Julius Caesar (Shakespeare’s Globe); Twelfth Night, All’s Well That Ends Well (Royal Shakespeare Company); Constellations (Theatre Clwyd); Jitney (Old Vic/Leeds Playhouse); In Dreams, A Passionate Woman (Leeds Playhouse); Sucker Punch (Queens Theatre Hornchurch/UK Tour); The Architect (GDIF); Smoke (Southwark Playhouse); Around the World in 80 Days (York Theatre Royal/UK Tour); The Solid Life of Sugar Water, RICE (Orange Tree Theatre); Jekyll and Hyde (Guildford Shakespeare Company); Leopards (Rose Theatre); Shuck ‘n’ Jive (Soho Theatre); The Magna Carta Plays (Salisbury Playhouse); Watership Down (Watford Palace Theatre).

Will is a London based artist; he trained at Bristol Old Vic Theatre School.

Recent work includes: Beegu (Unicorn Theatre, London); …blackbird hour (National Tour); Christmas Comes To Moominvalley (Jacksons Lane, London); Toto Kerblammo (Unicorn Theatre, London); The Children’s Inquiry, Captain Amazing (Southwark Playhouse, London); Woodhill; Out Of Her Mouth (National Tours); Foxes (59E59, New York; Theatre 503, Seven Dials Playhouse, London); Cassie And The Lights (59E59, New York); The MP, Aunty Mandy & Me, Far Gone (National Tours); Petula (National Theatre Wales, Welsh Tour); Open Mic (Soho Theatre, London); Sunnymead Court (The Actors Centre and Digital); Trojan Horse (UK tour; Summerhall, Edinburgh; winner of Fringe First and Amnesty International Freedom of Expression Awards); Who Cares (winner of Sit-Up Award); We Live By The Sea, This Is Where We Live (international tours); The Benidorm Elvis Fiesta (Benidorm Palace); Chilcot (The Lowry, Battersea Arts Centre).

Esther Kehinde Ajayi is an interdisciplinary sound artist born in West London in 1996. She combines highly conceptual sound design with interactive
technology and custom sound system design across various formats, including film, music, audio installations, fashion, and sculpture. Since 2021,
she has focused on sound design for theatre in London, emphasising the spatial presentation of sound through hybrid systems that merge software,
hardware, and visual elements. Following extensive research during her Sound Arts BA (2024), she describes her practice as “sonic cultural technology design,” highlighting sound as a psycho-cultural tool for personal empowerment and community building when viewed beyond the realm of music.

Credits include: Anansi the Spider (Unicorn Theatre); The Promise (King’s College London); Positive (Southwark Playhouse); Watchtower (Tentastic festival); Twist the Fantasy (E.K.A.sounds); Hansel and Gretel (The Big House); Pitch (November Theatre); Under The Blanket (The Big House); Wordsong Collection (The Big House); Possession (Arcola Theatre); Hot In Here (The Gate Theatre); The Dry House (Marylebone theatre); My Brother’s Keeper (Theatre 503); Cash Money (The Big House); Talking About A Revolution (Lyric Hammersmith); Hot in here (Camden People’s Theatre); Yellowman (Orange Tree Theatre); Would You Bet Against Us (Birmingham Rep); When The Long Trick’s Over (High Tide); All of the conversations (ArtsEd); Athena (The Yard Theatre); STATEMENTS AFTER AN ARREST UNDER THE IMMORALITY ACT (Orange Tree Theatre); Alice (Landor_Space); Invisible Light (Tristan Bates Theatre); Dana is her name (E.K.A.Sounds).

Duramaney Kamara is a multidisciplinary sound designer and composer. Under the pseudonym ‘D L K’, he is also a recording artist and producer who releases music under his indie label BE FREE 888 REPERTOIRE.

Theatre credits include: Bangers (Arcola/Soho/Edinburgh Fringe); Wolves On Road (Bush Theatre); Barcelona (West End); Grow Up, C3 Stories (Company Three); Mantelpeace (Young Vic Taking Part); Swim Aunty, Swim (Belgrade, Coventry); Love Steps (Omnibus/Wrested Veil); Cinderella (Brixton House); Clyde’s (Donmar Warehouse); August in England, House of Ife, Project 2036 (Bush); Suckerpunch (Queen’s Theatre, Hornchurch); Bootycandy (Gate, Camden); Anansi The Spider (Unicorn/Regent’s Park Open Air); Christmas in the Sunshine (Unicorn); Moreno, Roman Candle (Theatre 503); Collection (Tara Arts); The Death of a Black Man, Hoes (Hampstead); The Dark (Fuel/Ovalhouse); Living Newspaper Edition 4 &5, Dismantle This Room, My Mum’s a Twat, Instructions for Correct Assembly, katzenmusik (Royal Court).

Delyth Evans trained at the Royal Welsh College of Music and Drama, graduating in 2018.

Credits as an Associate Set Designer include: Retrograde (The Apollo Theatre); The Odyssey: Episode 5, The Underworld (The National Theatre).

Credits as an Associate Set and Costume Designer include: Abigail’s Party (The Northern Stage) and Our Town Need’s a Nando’s (Liverpool Everyman).

Credits as a Set and Costume Designer include: Belly Of The Beast (Finborough Theatre); George (Omnibus Theatre); Mighty Atoms, Mosquitos, We Anchor in Hope and The Sewing Group (LAMDA); Zombiegate (Theatre503); Hela, American Nightmare and The Story (The Other Room); Juliet & Romeo, MSND, Excluded! & Much Ado About Nothing Remixed (Intermission Youth Theatre) and In LipstickI (The Pleasance Theatre).

Credits as a Costume Designer include: Anthem (The Wales Millennium Centre) and The Inbetween (Theatr Clwyd).

Saffeya is Casting Associate for the Royal Court Theatre, and was previously Casting Associate for The Old Vic.

Casting Director credits include: Anansi The Spider (Unicorn Theatre); The Three Little Pigs (Unicorn Theatre); Cow | Deer (Royal Court Theatre); Hundred Feet Tall (Old Vic Community Tour).

Casting Associate credits include: A Christmas Carol (Old Vic); Groundhog Day (Old Vic); Pygmalion (Old Vic); The Real Thing (Old Vic); The Brightening Air (Old Vic).

Children’s Casting Director credits include: Oedipus (Old Vic).